| Charles Ludlam | |
|---|---|
| Born | April 12, 1943 Floral Park, New York, United States |
| Died | May 28, 1987 (aged 44) New York, New York, United States |
| Partner | Everett Quinton |
Charles Braun Ludlam (April 12, 1943 – May 28, 1987) was an American actor, director, and playwright.
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Ludlam was born in Floral Park, New York, the son of Marjorie (née Braun) and Joseph William Ludlam.[1][2] He was raised in Greenlawn, New York, on Long Island, and attended Harborfields High School. The fact that he was gay was not a secret. He performed locally in plays with the Township Theater Group, Huntington's community theater, and worked backstage at the Red Barn Theater, a summer stock company in Northport. While he was in his senior year of high school, he directed, produced and performed in Madman on the Roof by Kan Kikuchi, Theatre of the Soul [1], their own Readers' Theater adaptation of Spoon River Anthology by Edgar Lee Masters, as well as plays by August Strindberg and Eugene O'Neill with a group of friends, students from Huntington, Northport, Greenlawn, and Centerport. Their "Students Repertory Theatre" in the loft studio beneath the Posey School of Dance on Northport's Main Street was large enough to seat an audience of 25; their audiences were appreciative and enthusiastic, and the house was sold out for every performance. He received a degree in dramatic literature from Hofstra University in 1964, by which time he had officially come out.
Ludlam joined John Vaccaro's Play-House of the Ridiculous, and after a falling out, became founder of the Ridiculous Theatrical Company in New York City in 1967. His first plays were inchoate exercises: however, starting with Bluebeard he began to write more structured works, which, though they were pastiches of gothic novels, Lorca, Shakespeare, Wagner, popular culture, old movies, and anything else that might get a laugh, had more serious import. Theater critic Brendan Gill after seeing one of Ludlam's plays famously remarked, "This isn't farce. This isn't absurd. This is absolutely ridiculous!". Ludlam usually appeared in his plays, and was particularly noted for his female roles. He wrote one of the first plays to deal (though tangentially) with HIV infection; he was diagnosed with AIDS in March 1987. He attempted to fight the disease by putting his life-long interest in health foods and macrobiotic diet to use. He died of PCP pneumonia in St. Vincent's Hospital, New York. The street in front of his theatre in Sheridan Square was renamed "Charles Ludlam Lane" in his honor.
Ludlam taught or staged productions at New York University, Connecticut College for Women, Yale University, and Carnegie Mellon University. He won fellowships from the Guggenheim, Rockefeller and Ford Foundations and grants from the National Endowment for the Arts and the New York State Council on the Arts. He won four Obie Awards, the last one 2 weeks before his death, and won the Rosamund Gilder Award for distinguished achievement in the theater in 1986. After his death, "Walter Ego", the ironically named dummy character from Ludlam's play "The Ventriloquist's Wife" was donated to the Vent Haven Museum in Fort Mitchell, Kentucky, where it remains on exhibit today; the puppet was designed and built by actor and noted puppetmaker Alan Semok.
His most popular play, and the only one to enter the standard repertory, is The Mystery of Irma Vep, in which two actors manage, through a variety of quick-change techniques, to play seven roles in a send-up of gothic horror novels. The original production featuring Ludlam and his lover Everett Quinton was a tour de force. In order to ensure cross-dressing, rights to perform the play include a stipulation that the actors must be of the same sex. In 1991, Irma Vep was the most produced play in the United States; and in 2003, it became the longest-running play ever produced in Brazil.